We have regular guest Tolgahan Çoğulu back to discuss upcoming projects such as collaboration with King Gizzard and the Lizard Wizard (including their secret new microtonal guitar, sheet music transcription), classical/flamenco guitar ideas, the new fretlet guitar design, microtonal bends on electric guitar, and the Anatonlian rock scale. King Gizzard uses four scales, one of them being F sharp Husayni. The prize for the upcoming 9th International Microtonal Guitar Competition is… an adjustable microtonal guitar! Be sure to check out the Microtonal Guitar Method book, the competition, and any ..read more

Check out our episode with iconoclastic guitar legend Dave Fiuczynski. He wields a double neck fretless guitar, and plays a bunch of cool microtonal riffage for us! We talked about two tracks from “Flam! Bam! Pan-Asian Microjam!” and two from “Mikrojazz.” In “Flam,” there are a variety of compositional methods used, and the vocabulary is almost entirely derived from motivic bird calls. The uirapuru call in particular has an extremely distinctive contour. Many of these works express a desire for exploring continuums and representing sophisticated Eastern articulations. We also discuss microtona ..read more

“One-Footed” is a piece written by Taylor Brook named after Harry Partch’s “The One-Footed Bride'' Just-Intonation diagram. We discuss the aforementioned piece with Taylor Brook and John Schneider, diving into the ins and outs of writing idiomatically for the Partch ensemble, using Partch as inspiration, notation, and extended techniques on these instruments. The Del Sol quartet played the string parts! Come join us in exploring this vast sound world inside this justly tuned alternative orchestra!   Music [Intro] Taylor Brook - One-Footed (III - Approach) Harry Partch - Delusion of the Fu ..read more

This huge episode features three vastly different conversations, each with prominent members of a respective microtonal music discord. (1) Xenharmonic Alliance (ground, anomaly, xenoindex, Frédéric Gagné, HEHEHE I AM A SUPAHSTAR SAGA) Hyperspace Odyssey [21edo] - from Adxenture EP Serendipitous Arrival [26edo] - from Adxenture EP Liminal City Escalators [17edo and/or 18edo] - from Gone Too Deep EP Six Macrotonal Etudes for Electronic Music Media (8 NOTES) Outro/Transition: Into the Spoogalaxy [15edo, 17-tone tempered 2.3.7.29 ternary scale] (2) Xendergarten (ground, Userminusone, tristan bay ..read more

Xenharmonic black metal project Melopœia consists of Brian Leong, Jon Lervold, and Dave Tremblay. Their albums are inspired by J.R.R. Tolkein, and features his direct text both sung, and by mapping the letters of the text to different notes of 26-tone equal temperament. Their latest album utilizing this is “Valaquenta,” be sure to catch the latest track “Varda” which we discuss and play in the episode! Their earlier album, “Ainulindalë,” used the same method of starting the album and then uploading tracks one at a time as completed.   Intro: Melopœia - Varda [Valaquenta] 26-TET Melop ..read more

Chat about contemporary music, composition, and just intonation with us in this theoretically adventurous and wide ranging episode. Christopher Otto, composer and violinist, works with the JACK quartet, a group that has played the music of such individuals as John Zorn, Tristan Perich, Cenk Ergün, Tyshawn Sorey, Catherine Lamb, Georg Frederich Haas, Dan Trueman, and many, many, more. Intro: Christopher Otto (jack quartet) rag’sma  Catherine Lamb - divisio spiralis (mvt. II) Beethoven - Symphony No. 6 (storm section low notes) Vicente Atria - Seasons Will Pass You By Christopher Otto (jack ..read more

Take a magical tour with us through some of Noah Dean Jordan’s microtonal instruments (including the requinto), including improvised performances! Be sure to check out the “Noah Dean Jordan” account on Bandcamp as well as the “Nueva Armonica” account! Intro: I Was Once a River (Rock Creek II) Outro: I Was Once a River (Te Quiero Verde)   Check out Noah’s work on the requinto: https://noahdeanjordan.bandcamp.com/album/i-was-once-a-river https://nuevaarmonia.bandcamp.com/album/remembering-cloud-forms-microtonal-studies-for-13-limit-requinto-and-violin   Support us on Patreon! (If we ge ..read more

Today’s episode celebrates the culmination of a years-long project with Matthew Sheeran, widely celebrated composer, orchestrator, and arranger. The album we’ve been working on is called “Acoustic Microtonal,” and it is a recording of Easley Blackwood’s Twelve Microtonal Etudes using acoustic instruments, playing monophonic lines in isolation and then being re-tuned using Melodyne. Matthew commissioned the Budapest Scoring Orchestra to achieve this huge compositional feat. Check out our episode here for the largest dive into the notes and chords behind the music, and be sure to check out the f ..read more

In this episode, we discuss composition and performance with composer Saad Haddad. One prominent topic - the challenges involved working with orchestras and large ensembles playing microtonal music, and logistics of the industry. We also discuss ideas of east vs. west, style infiltration, using minimal sets of pitches, and maqam.   Music: Vortex Temporum - Gérard Grisey Vignettes - Saad Haddad Aysheen (demo) - Saad Haddad Outro: Aysheen (demo) - Saad Haddad    Saad has his own podcast! (check it out): https://www.youtube.com/@saadhaddadshow   Other links: https://www.saadnh ..read more

After this episode, be sure to check out the new Sevish album, “Big Sway!” Myself, Sevish, and benyamind have a classic microtonal chat about all things fun and intervallic, covering topics such as intuitive tunings, voice manipulation (vocoding, autotuning, etc.), perfectionism, going gridless, expectations, and communication and accessibility within the microtonal community. Several instruments get the spotlight, such as Sevish’s new microtonal keyboards, the Lumatone, melodica, and saxophone! We also stretch some tunings out for 22-edo Lambda, and frolic about in JI with harmonic series seg ..read more