Music in Star Trek From Alexander Courage’s “bright galactic beguine” in The Original Series to Jeff Russo’s churning, Game of Thrones-style theme for Discovery, the music of Star Trek has always embodied the spirit of its time, as much as it looks to the future. Rick Berman famously sacked composer Ron Jones from The Next Generation because he felt his scores drew too much attention to themselves. In his mind, the underscore should be a kind of wallpaper, as unobtrusive as the soft pastel carpet stuck to the walls of the Enterprise-D.  And yet the music of Star Trek—in particular the fil ..read more

How Star Trek’s leaders reflect our own. Young, charismatic, and a bit of a ladies’ man, Captain James T. Kirk was cast in the mould of President John F. Kennedy, the beloved US leader who had been killed just three years before Star Trek debuted. But over the course of more than half a century, Star Trek’s captains have often echoed the great politicians of the day; and sometimes they may even have paved the way for political careers in the real world. In this episode of Primitive Culture, originally released as an installment of The Sanctuary, Tony Black speaks to guest Mac Boyle about the p ..read more

… it wasn’t the Vulcans who made first contact? April 5, 2063. In Star Trek’s imagined history, it was on this date that humanity made first contact with an alien race. The event led to societal transformation on a global scale and ushered in a bright future. But what if it wasn’t the Vulcans who happened to be passing by that day? What if first contact had been made with the Klingons or Romulans instead? In this episode of Primitive Culture, originally recorded for The Sanctuary, but never released, Tony Black is joined by Mike Slamer to imagine how things could have played out different ..read more

Lisa Klink on Writing for Deep Space Nine and Voyager. Starting with a short-term position as a writing intern on Deep Space Nine, Lisa Klink rose rapidly through the Star Trek ranks, penning more than a dozen episodes over the course of just three years. In episodes such as “Resistance” and “Sacred Ground,” she proved her skill at handling character-based drama, while “Blood Fever,” “Message in a Bottle” and “The Omega Directive” cemented her credentials as one of the series’ finest storytellers. In this episode of Primitive Culture, host Duncan Barrett talks to Klink about working in the Sta ..read more

Jack Bauer and Jonathan Archer. Premiering just after the September 11, 2001, terrorist attacks on the World Trade Center, Enterprise took another two seasons to fully engage with the radically changed real world in its storytelling. When the show did reveal its own 9/11 story in the third season, it followed in the wake of another intensely serialized, monster-hit TV show: 24. Jack Bauer might seem an unlikely model for a Starfleet captain, but throughout the course of the Xindi arch Jonathan Archer found himself repeating many of Bauer’s signature moves—including torture and cold-blooded kil ..read more

Naren Shankar on a life in science fiction. While Ronald D. Moore and Brannon Braga took the Star Trek: Next Generation cast to the big screen—not to mention reinventing classic space shows Battlestar Galactica and Cosmos—it was another young writer from the TNG stable, Naren Shankar, who would contribute to the most science-fiction TV in his post-Trek career. Over three decades as a screenwriter and showrunner, Shankar has worked on genre classics such as SeaQuest, Farscape, The Outer Limits, and, most recently, the phenomenally successful adaptation of James S.A. Corey’s Expanse novels, curr ..read more

Live from Destination Star Trek London 2021. After the cancellation of last year’s Destination Star Trek (DST) in London, anticipation for 2021 event, billed as Europe’s largest Trek convention, was greater than ever. A slew of last-minute guest dropouts—combined with the ongoing coronavirus pandemic—didn’t stop thousands of Trekkies from descending on ExCel London exhibition and convention center for the three-day celebration. In this episode of Primitive Culture, host Duncan Barrett speaks to more than 20 convention attendees—a mixture of guests and fans—to learn their impressions of the con ..read more

James Bond and Julian Bashir. Not many film franchises can boast 25 installments over the course of more than half a century, so for sheer longevity the James Bond cinematic franchise certainly gives Star Trek a run for its money. In some ways, the old-fashioned brutal masculine ethos of Bond feels very much out of place in the utopian Trek future, and yet both are properties forged in the cultural crucible of the 1960s that have been forced to reinvent themselves with every passing generation. In this episode of Primitive Culture, host Duncan Barrett is joined by Carlos Miranda for a trip to ..read more

Tony Black’s new book: *Star Trek, History and Us*     From 1960s hippies in “The Way to Eden” to the War on Terror in Enterprise Season 3, Star Trek has always reflected the cultural moment from which it springs. In his new book, Star Trek, History and Us, Tony Black brings the Primitive Culture approach to print, taking a long view of the past half-century through the prism of Star Trek's 800 episodes and films. In this episode of Primitive Culture, host Duncan Barrett is joined by Tony to discuss the book’s journey from idea to publication. We look at how—from the 1960s up to ..read more

Robert Duncan McNeill on Star Trek's Directors' School. To Star Trek fans, he is Tom Paris, the cocksure pilot of the USS Voyager. But in Hollywood, Robert Duncan McNeill is better known as a different kind of helmsman. From his first day of filming on the Voyager pilot "Caretaker," McNeill declared his intention to take a shot at the director's chair, following in the footsteps of fellow Trek such as stars Jonathan Frakes, Levar Burton, and Leonard Nimoy. Two years later, when Frakes was forced to pull out of shooting the third-season episode "Sacred Ground," McNeill got his chance. It was to ..read more