Do you want a compact lens with a constant f/2.8 aperture? Does it have to be as sharp as a G-Master lens without the high price? Sony may have just given you what you asked for, provided that you don't need an extensive zoom range. [Read More ..read more

If you've ever taken photographs with a vintage Barnack Leica, you know that this precursor to modern cameras is considerably more difficult to load film into than pretty much everything that came after it. [Read More ..read more

As its name indicates, Insta360 is best known for its 360-degree cameras. The recent announcement of the Ace Pro is the company's expansion into the more traditional form factor pioneered by GoPro and integrates some of the industry's latest tech, including a high-end processor and large sensor. But is it enough to set this camera apart in the crowded action camera market? [Read More ..read more

110 film is an incredibly niche format that is kept alive by one company: Lomography. It has leveraged that by releasing the $160 Lomomatic 110, a cool piece of kit that harks back to the 1970s and produces lo-fi, imperfect images. [Read More ..read more

Nikon's new Nikkor Z 28-400mm f/4-8 VR lens is a groundbreaking full-frame zoom lens, offering 14.2 times zoom in a lightweight package. Does it come with unacceptable compromises, or is it poised to be the ultimate all-in-one lens for Nikon Z photographers? [Read More ..read more

I normally dismiss ultra-fast aperture lenses because they tend to be overly large, overly expensive, and overly excessive. I rarely want to have the shallowest depth of field possible, and an f/1.2 lens is only two-thirds of a stop brighter than a reasonably priced f/1.4 lens. But what if I can have my cake and eat it too? [Read More ..read more

National Geographic's new documentary series, Photographer, lives up to its name. The six, hour-long episodes focus less on beautiful photographs and more on their creation. The series is very much about the person behind the images: the photographer. [Read More ..read more

I have to admit that I haven't given enough time to review the many, many lenses that are coming to us out of China. The only thing harder than knowing which Chinese camera companies belong to which other camera companies is knowing how to pronounce the often strange naming conventions given to the brands. [Read More ..read more

The Xiaomi 14 may very well be the kind of phone most should experience, in part because it brings the Leica camera hardware and software to the fore. Previously, Xiaomi only included all Leica features in its Pro or Ultra models, but has now done it for this, the smallest of the bunch. This time, the 14 Pro is a Chinese market exclusive, leaving the 14 and 14 Ultra as the two global options. [Read More ..read more

I have stitched many panoramas, including those I took with my Canon 24 mm TS lens by shifting the lens from side to side. The TS lens gives easy-to-stitch frames. One uncontrolled element that remains in that case is the parallax shift because the lens position changes. Although that may go unnoticed in landscape panoramas, it is still there. [Read More ..read more