Awkward. Catapult Dance Choreographic Hub
Michelle Potter
by Michelle
14h ago
27 March 2024. The B, Queanbeyan Arts Centre Below is a slightly expanded version of my review of Awkward published online by Canberra City News on 28 March 2024. In just one performance in The B, a former Bicentennial Hall renovated to become a theatre space, the Newcastle-based Catapult Dance Choreographic Hub presented Awkward, a work with a focus on ‘The wit and wisdom of the socially awkward.’ In essence Awkward set out to be a multi-disciplinary work with a strong dance component but centering on a spoken narrative about an event to which six young people, unknown at first to each o ..read more
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Paradise Rumour. Black Grace
Michelle Potter
by Jennifer Shennan
3d ago
22 March 2024. St James Theatre, Wellington reviewed by Jennifer Shennan Paradise Rumour, commissioned by Sharjah Festival in UAE (now that’s different), has toured in USA, and also performed in Auckland and Christchurch. This single performance in Wellington marks the end of its current season though further performances in Australia and the Pacific—Noumea? Suva? Honolulu? would make a lot of sense. The Black Grace team is on top of their game—producing a printed program which contains Ieremia’s fine poem by way o ..read more
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Stunt Double. The Farm
Michelle Potter
by Michelle
1w ago
14 March 2024. The Playhouse, Canberra Theatre Centre Stunt Double is a jaw-dropping immersive theatre experience bringing audiences inside the filming of a 1970s Aussie action flick. So goes one encouragement to attend a performance of Stunt Double, the latest production from the Gold Coast based dance-theatre company The Farm. The work of The Farm, going by the previous productions I have seen to date, pushes dance into highly physical areas and uses the theatre aspect of a production as a means to comment on aspects society and social behaviour in an outrageously flamboyant and conspicuous ..read more
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Dance diary. February 2024
Michelle Potter
by Michelle
1M ago
Russell Kerr Lecture 2024 The annual Russell Kerr Lecture for 2024 took place in Wellington on Sunday 25 February. The lecture honoured Sir Jon Trimmer, esteemed artist who made a huge contribution to ballet in New Zealand, and who died last year. I was to give a short talk in which I planned, by focusing on images including some costume designs, to show how Jonty, as he was familiarly known, was able to inhabit a role so magnificently. Unfortunately there was an issue with the plane that was taking me to Wellington from Sydney late on Saturday. The issue was not so much the plane itself but ..read more
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Jungle Book Reimagined. Akram Khan Company
Michelle Potter
by Jennifer Shennan
1M ago
23 February 2024. St James Theatre, Wellington reviewed by Jennifer Shennan A fascinating in-depth interview late last year on Radio New Zealand between Akram Khan and Kim Hill—(which of her interviews has not been deep and fascinating?)—is well worth accessing in RNZ archive. It’s no surprise to learn there that the bright mind and ferocious drive from Khan’s youngest days has followed through to his celebrated career as choreographer today. Jungle Book Reimagined We have seen other work by Khan here some Festivals back, in a program shared with French dancer Sylvie Guillem, and more recently ..read more
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Tutus on Tour. Royal New Zealand Ballet
Michelle Potter
by Jennifer Shennan
1M ago
24 February 2024. Te Raukura, Kapiti reviewed by Jennifer Shennan The two recently appointed directors at RNZB, Tobias Perkins and Ty King-Wall, express in the program’s introduction their hope that the national Tutus on Tour production will leave the audience captivated, moved and wanting more. It did and we do. The program opens with a set of excerpts from Swan Lake, staged after Russell Kerr’s treasured production from 1996. Usually we see either the complete four act ballet (which RNZB will perform in May this year), or just Act II as a stand-alone piece. Here however is a totally new expe ..read more
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Hatupatu Kurungaituku—A Forbidden Love. Taki Rua Productions
Michelle Potter
by Jennifer Shennan
1M ago
Artistic Direction: Tānemahuta Gray Kapa Haka choreography: Wētini Mītai-Ngãtai at Tawhiri in Wellington. 20 – 24 February 2024 and following tour to Auckland, Christchurch & Rotorua reviewed by Jennifer Shennan It’s always a special moment for an audience when the poster image for a production is revealed in the course of play—only fleetingly, there it was, but we recognise it instantly since we have been looking forward to this show for some time and wondering how the combination of its many threads might weave together. And what an image it is, also on the program cover—a Maori man, Hat ..read more
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Hilary Trotter (1933–2024)
Michelle Potter
by Michelle
1M ago
Hilary Trotter, whose influence on the role of dance in society, especially in Australia, is almost without measure, has died in Canberra in her 91st year. From a personal point of view, she helped me for several years with the establishment of Brolga. An Australian Journal About Dance. And from the point of view of the growth of professional dance in the ACT, her input was remarkable. Below is an outline of Hilary’s career in dance written by her close colleague Julie Dyson, and published here with her permission. Hilary Trotter, dance writer, advocate and activist b. 13 June 1933; d. 18 ..read more
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Jungle Book Reimagined from Akram Khan Company. A review
Michelle Potter
by Michelle
1M ago
3 February 2024. Canberra Theatre Below is a slightly expanded review of Jungle Book Reimagined originally published by Canberra’s City News on 4 February 2024. English choreographer Akram Khan has made a name for himself as an artist who pushes boundaries and who looks for new ways of presenting well known stories. His 2016 production of Giselle, which he removes from its 19th century origins and sets in a modern context of migrant labour, is one example. So too is Jungle Book Reimagined which takes as a starting point Rudyard Kipling’s The Jungle Book, a collection of stories that, like Gise ..read more
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Dance diary. January 2024
Michelle Potter
by Michelle
2M ago
BOLD Bites The BOLD Festival started as a biennial event in 2017 but it suffered in terms of being biennial as a result of the COVID-19 pandemic. It will, however, be back in a mini form in March 2024. BOLD24 will be a ‘Bite Size’ initiative and will feature a series of events celebrating International Women’s Day 2024. It will anticipate the next major BOLD festival in 2025. BOLD Bites will, as is the focus of all BOLD activities, honour intercultural, inclusive and intergenerational dance.  The program will take place over three days, from 8 to 10 March, in various venues in Canberra ..read more
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