A Kettle of Fish (Digitally Remastered) - Stanley Turrentine feat. Herbie Hancock
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2d ago
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Paul Horn - Now Hear This - Profile of a Jazz Musician - 02
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2d ago
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Paul Horn - Lazy Afternoon - Profile of a Jazz Musician - 03 = bass flute
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Paul Horn - Count Your Change - Profile of a Jazz Musician - 01
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The Paul Horn Quintet – Something Blue (1960)
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4d ago
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TUBBY HAYES AND THE DOWNBEAT BIG BAND - Blues At The Manor 1959-1960 Live and Previously Unissued - Sleeve notes by Simon Spillett
Jazz Profiles
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4d ago
 © Introduction. Copyright ® Steven Cerra, copyright protected; all rights reserved. The Manor House Jazz Club may be described as a small piece of dry land entirely surrounded by alcohol. Jazz News, February 1958 Without any shadow of doubt this 12-piece humdinger is producing the most stimulating, swinging, satisfying and downright exciting big band jazz in Britain today. Jazz News, June 1960 It wasn't my idea, but I more or less took it over. There was no money to be made... Tubby Hayes, Crescendo, 1963 ..read more
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Sleepy Time Gal - Harry James, 1939 (His Original Studio Version)
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5d ago
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Sleepy Time Gal (1999 - Remaster)
Jazz Profiles
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5d ago
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Rob Madna: The Wizard of Dutch Jazz [From the Archives with Additions]
Jazz Profiles
by Unknown
1w ago
 © -  Steven A. Cerra, copyright protected; all rights reserved. “Rob was also a teacher of mathematics and maybe that had also something to do with the fact that he became a wizard in harmony. He was a very straight ahead and honest person and he only wanted to play the music he liked. That was one of the reasons he gave up his job as a professional musician and became a teacher in mathematics. That way he had a steady income in order to give his family financial support and he could still play the music he loved on a very high level. Later on he got an offer for a teaching posit ..read more
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The Great Wide World of Quincy Jones - Gene Lees [From the Archives with Additions]
Jazz Profiles
by Unknown
1w ago
 © -  Steven A. Cerra - copyright protected; all rights reserved. “One evening in the early summer of 1958 I went to an amusement park called Grona Lund, on the outskirts of Stockholm, to hear the excellent altoist Arne Domnerus, one of Sweden's best. His orchestra was billed as a dance band, but they were playing jazz, very good jazz. I chatted with the musicians between sets, and with one in particular, the friendly and loquacious trumpeter Bengt-Arne Wallin. When the evening was over, and all the blond girls and their escorts were gone from the outdoor dance pavilion, and the ..read more
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